This paper attempts to demonstrate how strongly Slovenian artists were influenced by the French art informel and the Paris art scene, especially in terms ofLate nineteenth- and twentieth-century nationalisms, political crises, that led writers and artists to explore new expressions of commitment, The manifestos accompanying much of this work establish a framework and a utopian vision for an all- inclusive art that no painting, sculpture or architectural. Ileana Parvu, HEAD-Geneva (Geneva University of Art and Design), Handcrafted Readymades: Manual Work at the Turn of the Twentieth Century more.
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